Fast Forward is a concentrated, intense festival that presents eight productions usually from all over Europe in four days. To help you keep an overview and find out quickly what you can see on which days and in which order, we make suggestions for your routes through the festival in the Festival Circuit. The easiest way to reach performances in a Festival Circuit is by public transport, which you can use with your VVO ticket on your admission ticket. Our staff at the venues will be happy to help you at any time. All further information you need for your visit to Fast Forward 2024 can be found on this page.
prices / ticket sales / box office
PRICES
Tickets cost 11,00 € / 7,00 € (for school pupils, trainees and students, please provide the document entitling you to the reduced price). First semester students pay 5,00 € per ticket. Please note that additional fees may occur at external ticket agencies. You have a free choice of seats at all performances.
TICKET SALES
Box Office Schauspielhaus, Theaterstraße 2, 01067 Dresden Mo – Fr: 10.00 – 18.30, Sa: 12.00 – 18.30
Kleines Haus, Glacisstraße 28, 01099 Dresden Mo – Fr: 14.00 – 18.30
Booking by phone +49 351 – 49 13 – 555 / For group bookings +49 351 – 49 13 – 567
Mail order Staatsschauspiel Dresden, Besucherservice, Theaterstraße 2, 01067 Dresden /
E-Mail tickets@staatsschauspiel-dresden.de
Online www.staatsschauspiel-dresden.de & at all standard ticket agencies
BOX OFFICE
Box offices will be open at every venue. In the Kleines Haus they will open one hour and in Hellerau, at the Labortheater, Café OHA and the robotron-Kantine 30 minutes prior to the performances. Please keep in mind that the box offices at Hellerau, the Labortheater, Café OHA and the robotron-Kantine can only accept cash payments.
- Programme brochureprogrammheft_2024.pdf
- Fast Forward Overviewfestivalplaner_a4.pdf
Venues
Staatsschauspiel Dresden Kleines Haus & Festivalzentrum
Glacisstraße 28, 01099 Dresden
www.staatsschauspiel-dresden.de
HELLERAU – European Centre for the Arts
Karl-Liebknecht-Straße 56, 01109 Dresden
www.hellerau.org
Labortheater & Café of the Dresden University of Fine Arts (HfBK)
Güntzstraße 34, 01307 Dresden (Entrance Dürerstraße)
www.hfbk-dresden.de
Kunsthaus Dresden in der robotron-Kantine
Zinzendorfstraße 5, 01069 Dresden
www.kunsthausdresden.de
Kleines Haus
Kleines Haus Staatsschauspiel Dresden
Glacisstr. 28
01099 Dresden
KH 1
KH 2
KH 3
KH Mitte
Foyer
Hellerau
Festspielhaus Hellerau
Karl-Liebknecht-Str. 56
01109 Dresden
Nancy-Spero Saal
Großer Saal
Labortheater
Labortheater, HfBK Dresden
Güntzstr. 34
01307 Dresden
Bühne
Cafè OHA
Café OHA, HfBK Dresden
Café OHA
robotron-Kantine
Kunsthaus Dresden in der robotron-Kantine
Saal West
Festival Circuit
The festival is planned in such a way that you can see several productions one after the other on one day – this means there are several circuits you can take. To follow our plan, we recommend that you travel between the venues using the Dresden Public Transport (DVB) tram and bus lines. The stamp on your theatre ticket means it is also valid as a transport ticket (see p. 44). It is also possible to walk from one venue to the other and this is also marked on the circuit plan. In order to stick to the circuit, you usually need to get going right after the end of the show. There will be circuit scouts at every venue to bring you to the right stop or to walk with you to the next venue. You can get a detailed map from the box offices and on our websites. This year there are two productions (DECAZEVILLE, MANIFESTOS) that can only be attended by small audiences at the time, but therefore have many performance dates. Accordingly, there are many opportunities to combine performances with one another. You can find this information as well as a detailed transport plan for all the circuits here as a PDF to download and print and at the box offices of the Staatsschauspiels Dresden.
- All Eight on Four Daysfafo_wochenparcours_aktuell.pdf
- Circuit Thursdayfafo_14_11_2024_akt.pdf
- Parcours Fridayfafo_15_11_2024_akt.pdf
- Parcours Saturdayfafo_16_11_2024_akt.pdf
- Parcours Sundayfafo_17_11_2024_akt.pdf
PUBLIC TRANSPORT: FREE TRAVEL TO THE THEATRE!
For all shows: your theatre ticket has a stamp that makes it your transport ticket as well on the whole VVO transport area. You can use this service in the four hours before and eight hours after the show. Theatre tickets bought online are of course also combination tickets for entry into the theatre and travel on public transport. The only exceptions are free tickets and special reduced- price tickets. Please check for the stamp on your ticket.
accessibility / translation
ACCESSIBILITY
Please note that the production MANIFESTOS FOR AFTER THE END OF THE WORLD is not wheelchair accessible. The Labortheater does not have an accessible toilet. All the other venues are wheelchair accessible and have an accessible toilet. The performance of UNE TENTATIVE PREQUE COMME UNE AUTRE in HELLERAU will take place with audio description. There will be no performances with sign language interpreting. You can find more detailed information about the accessibility of the venues on their websites. Please contact us for any specific access requirements or questions you may have so that we can make your visit as comfortable as possible. Please let us know if you are coming with a wheelchair or support dog when you book your tickets. For those with a hearing impairment, we provide receiver sets in the Kleines Haus. If required, audience members can ask for receiver sets right before the performance from the admissions staff in the coat-check foyer. We want lots of people to come to our festival. We therefore want to avoid any barriers and remove them. If you have ideas or questions, write us an email or call us:
janny.fuchs@staatsschauspiel-dresden.de / phone: +49 351 – 49 13 – 742.
TRANSLATION
Each performance is shown with German and English surtitles if not indicated otherwise. Please see the performance pages for more details. Most events in the supporting programme also take place with live translations into German and/or English. For more information, please see the supporting programme section.
Content Notes
As theatre-makers, we seek out and want a constant dialogue with you, the audience. Each of you brings individual experiences with you to a theatre performance or concert and you experience what happens on stage differently. With the awareness that some of the content of the plays could trigger or evoke feelings that are overwhelming or hurtful, on this page we offer additional information for you about content we consider sensitive or potential triggers. Triggers are specific stimuli (sounds, smells, images, etc.), which could trigger feelings associated with a past trauma in people who have gone through traumatic experiences (e.g. flashbacks). You are also welcome to get in touch with the dramaturg of the production in question if you have any further questions.
List of triggers we will issue a warning for:
- Physical, psychological or sexual violence
- Child abuse
- Self-harm
- Serious illness (physical and mental)
- War
- Suicide
- Eating disorders and addiction (alcohol, drugs, compulsive behaviour, etc.)
- Racism, sexism, homo-/inter-/transphobia, ableism, age discrimination, other forms of discrimination
- Bullying
- Bodyshaming
- Cruelty to animals
- Misophonia
Trigger warnings are sometimes criticised for giving away an aspect of the play in advance. In this regard, we firmly believe in our audience’s ability to choose and judge for themselves. That’s why we’re leaving it up to you whether you read and consider the following additional information or not.
Please note: for artistic reasons, the times given are not exact.
Rage
In this production, situations of male aggression towards women are performed by women. The portrayal uses the device of parody. All the scenes end with the killing of the man. The portrayal of the killings is intensified with sound. After 30 minutes, there is a brief use of fast, flashing lights. These light stimuli can trigger seizures in people with epilepsy.
I'm Deranged
This production addresses experiences of inner and outer emigration and describes ideologically motivated state coercion, restriction of freedom, discrimination and uprooting. After a quarter of an hour, a strobe light is used for two minutes. These light stimuli can trigger seizures in people with epilepsy. Overall, the production is very darkly lit and contains regular brief blackouts.
Decazeville - la montagne qui brûle
After one hour, images are shown in a rapid rhythm on all seven video screens in the space for ten minutes. This can be similar to watching a video with very fast edits. These light stimuli can trigger seizures in people with epilepsy.
Scream Box
There is very loud screaming in several parts of this production. After 20 minutes, there are fast, flashing lights on the stage for four minutes, which could trigger a seizure in people with epilepsy. Theatrical fog is also used. After 30 minutes, there is a song that deals with self-harm, but there is no explicit portrayal of violence. After that, the performer examines her throat on stage for eight minutes with an endoscope. After an hour, loud music is played suddenly.
4.48 Psychosis
This play deals with depression, suicidal thoughts, self-harm and addresses psychological, physical and sexual violence. After 45 minutes, there is a portrayal of rape and theatrical fog is used in the auditorium.
Sudden loud noises, loud music and violent and loud language occur frequently.
Une tentative presque comme une autre
This production discusses experiences of ableism. Ableism means the unequal treatment, violation of boundaries and stereotyping that people experience because of their disability.
Concerto fetido su quattro zampe
After 30 minutes, newspaper headlines that deal with issues such as cruelty to animal, depression, suicide, drugs and physical violence are quoted.